Stab Magazine | A Collab Stab Digs: Laserwolf x Slowtide

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A Collab Stab Digs: Laserwolf x Slowtide

An interview with one of the North Shore’s most beloved transplant sharpshooters, and a look at his new beach towel collab. 

style // Apr 6, 2018
Words by stab
Reading Time: 6 minutes

Anyone familiar with this space will know the Floridian-turned North Shore staple sharpshooter Brandon Campbell publishes his diverse and compelling range of surf images under: Laserwolf. 

The Wolf’s a Stab favorite, a stylish throwback and handsome, hearty family man with a blue collar work ethic that’s grown rarer and rarer in lensman during the Age of Instagram Gratification we’re living through.

But Laser’s got game, across all editorial, digital, print, and commercial spectrums, so it’s not exactly a surprise to see him being smartly tapped by our friends at Slowtide, for a collaboration on one of their ultra-plush beach towels. 

In celebration of what is admittedly a head-turner at any sandy spot you shake it out and lay it down, we hit Laser for a few bangers from his archive (which you can see above), and a chat (which you can read below). 


: Can you tell us a bit about where you are from and how you got into photography?

Brandon “Laserwolf” Campbell: I’m originally from the East Coast of Central Florida. I grew up surfing, skateboarding, fishing, raising hell with my friends [laughs]. But I’ve been living on the North Shore of Oahu since early 2009.

I got my first taste of taking pictures during a road trip with friends, shortly after high school. I bought a cheap point-and-shoot, on a supply run to Wal-Mart. I was kinda hooked after that trip, but I didn’t start taking it seriously until a few years later.

I started shooting surfing when I moved to Hawaii. I was always creative, but I was never artistic. Photography gives me a platform to express that creativity and involved in the arts, which I enjoy so much.



62 x 34 inches of gorgeous, 100% super-soft, absorbent, cotton velour, as seen in Laserwolf’s caring hands.



What are you trying to communicate with your photography?

I just want to have fun, and enjoy it. I’m really fortunate to have been able to make a living shooting photos the last few years, but I’d be lying if I said I was trying to change the world or make a statement with it.

What role does a photographer have in society?

Earth without art is just ‘eh,’ right?

Photography is kinda unique, because you’re literally preserving an exact moment in time, documenting history. It’s cool to be able to share those moments with others. It’s pretty wild how a camera can mirror a moment in time, and blast it onto a piece of paper or into the internet where it will live forever.


The tools of the trade.



Pass Laserwolf

“I was always creative but I was never artistic. Photography gives me a platform to express that creativity and be apart the arts that I enjoy so much.”



If you could pick one period to shoot, when would it be?

The 60’s! What a time it must have been to be alive. MLK and the Civil Rights movement, the hippie movement, Rock n’ Roll, the fight for Women’s Rights, the protests against Vietnam. All of it, man!

I feel like I was born in the wrong era. It would have been incredible to be there fighting for these causes and documenting it all.

Kinda crazy to think that here we are, more than 50 years later and we’re still dealing with a lot of the same issues. Of course, the clothes, music and cars aren’t nearly as cool. 

Describe your scariest moment while shooting?

I’ve been rattled quite a few times, shooting Pipeline.

Last year I smacked my head pretty hard on the reef, blew out the front of my helmet and lost my camera. Luckily it washed up on the beach and it was my helmet that broke, not my head.

A38I9125 Laserwolf

“I’ve been rattled quite a few times, shooting Pipeline. Last year, I smacked my head pretty hard on the reef, blew out the front of my helmet and lost my camera. Luckily it washed up on the beach and it was my helmet that broke, not my head.” Mason Ho, Pipeline, 2018.



How did you get the nickname, Laserwolf? 

I randomly used it in an art show I was doing with a bunch of street artists. They all had these cool tags, and my real name just didn’t flow on the flyer, so I ran with Laserwolf. Signed all my photos with it and the name stuck. 

What photo are you most proud of?

The drone shot we used for this collab’ has been my most successful shot to date. I’ve shipped prints, large and small, all over the world. It was a magazine cover, and now a towel.

It’s a powerful image. Just so much emotion in it. “Conversation piece” is what I hear the most when people see it, because at first glance, it looks like the surfers are gonna get mowed down by a 100 foot wave.

Funny thing is, I was anti-drone for so long. Stoked I opened my mind and tried something new.

Favorite place to shoot?

If I’m shooting surfing, Off The Wall is my favorite little studio.

I recently took a trip to San Fransisco, and it was my first time cruising in a big city. I was blown away at all the different cultures and landscapes. I shot a bunch of film that I was pretty psyched on. I’d love to get back there and do it again soon. New York would be rad to cruise around and shoot.

Camera and lens of choice?

Canon 1DX Mark II with a canon 24mm-105mm lens is my current go to. I have a Contax T2 that is the raddest little pea shooter for film.

Describe your first expense shooting pipe?

I’ve always been really comfortable in the ocean, and I had already put in a bit of time surfing Pipe on small-medium days. So shooting kinda came natural. It never gets any less scary, though.

JohnJohn Laserwolf

John John Florence, at Laserwolf’s “favorite little studio,” Off The Wall, 2017.



Advice to younger photographers thinking about pursuing as a career?

Shoot things that make you smile, and really learn the trade. There is nothing worse than trying to force a shot or shooting something you don’t enjoy for a paycheck. 

I’m self-taught but there is still so much I have to learn. I really wish I started taking it seriously sooner, maybe gone to school for it. I look at my favorite photographers, guys like Jim Russi, Todd Glaser and Corey Wilson. They all studied at the Brookes Institute of Photography (RIP), and they’re some of the best in the business. 

Any new projects that you are excited about?

2018 is gonna be a busy year for me.

I recently took a job with Katin, managing and shooting their surf team. We have quite a few trips we want to do including the Caribbean, Europe, Canada, Central America and a bunch of other spots.

My wife and I bought a house in Florida back in October, that we’re vacation renting. So we’ll probably be over there a bit this summer, working on the house and yard before heading back to Hawaii for the winter season. Looking forward to spending a bit of time with my family and all the homies back East. 

You can see more of Laserwolf’s work, hereand grab the new towel, here.


Ain’t she a beauty? “The drone shot we used for this collab’ has been my most successful shot to date,” Laserwolf says. “I’ve shipped prints large and small, all over the world. it was a magazine cover and now a towel.”




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