Chris Bryan’s Phantom Reel
What a glorious body of work this is by Chris Bryan. Shot entirely in high-definition on his Phantom gear, Bryan’s clips are instantly recognisable for their composition and quality. He is the go-to gent for 1000-frames per second and has invested serious bank into his caper, even custom-building his water housing and has spent due-time perfecting […]
What a glorious body of work this is by Chris Bryan. Shot entirely in high-definition on his Phantom gear, Bryan’s clips are instantly recognisable for their composition and quality. He is the go-to gent for 1000-frames per second and has invested serious bank into his caper, even custom-building his water housing and has spent due-time perfecting his skill. This particular creative is edited by Tom Hannam and begins waist deep in an Indonesia cattle run, runs the light fantastic through tropical curls and lands in a pair of breasts doused in just enough milk. Then there’s Bruce Irons and the Code Red swell at Teahupoo and weightless John Florence and Marzo, Slater, Parko, Callinan and it’s all tied together with an undeniable emotion. Less reading, more viewing. Go.
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