Watch Rán: A Scandinavian Surfing Saga - Stab Mag

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"I've made a lot of short films. This is the only one I'd call perfect. Not in technique, not in creativity, not in editing or storytelling — but in its subject, and my pursuit."

Watch Rán: A Scandinavian Surfing Saga

“I’ve made a lot of short films. This is the only one I’d call perfect.” – Morgan Maassen

Words by Morgan Maassen
Reading Time: 6 minutes

Words, film, still imagery and captions by Morgan Maassen.

Growing up in Santa Barbara, swells were infrequent and our summers long and dull. But when a proper northwest swell would roll through, everything would turn on like clockwork. 

From Point Conception to the beginning of PCH, every mile marked a new point or reef, pristine in their lines and dotted with unfathomable surfing talent. My friends and I scratched over the shoulder of waves ridden by Tom Curren, Bobby Martinez, Dane Reynolds, and in my late teens, even Slater would time his visits conveniently around swell events. 

In these moments Santa Barbara felt like surfing’s cultural and performance bastion. The center of the universe.

Exploring the Baltic sea, we had countless misses and a few hits. This day, we scored a left pointbreak that was reeling down a cobblestone point… not a soul around, snow whipping straight onshore as I filmed in 20-knot winds while wearing snowboard goggles and scrapping ice off my camera lens. Pushing our luck, we ventured north hoping to find more of the swell. by the time we got here, the waves had all but disappeared, but as we walked along the beach around these ancient limestone Rauks, I claimed this moment as one of my favorite scores in a long time.

At 18 I picked up a camera and shortly after found myself in Hawaii, watching Pipeline do its thing. Bobby walked by and patted me on the back. Slater posted double 10s minutes into a heat. Dane was shooting Quiksilver campaigns at Rocky’s. 

Among these guys were other elite surfers from every continent, representing their respective cream of the crop. My ignorance was undressed in seconds, and Santa Barbara was no longer the epicenter. My eyes grew wide and I was off, following the waves and performance and people and culture that makes this sport so robust. 

Chasing waves up and down the seaboard of Sweden, there were many times where the swell was dying before the car was parked. This day, we timed it almost perfectly, and as we made our way out to this nasty little slab breaking over smooth, almost machine-cut blocks of granite… we were greeted by about 4 perfect, shoulder-high waves. Before Freddie could get to his feet and as I ping-ponged between the sketchy reef, it went flat. 

Sixteen years later, I am tired. Six continents, countless waves, endless days on the tools, multiple generations of professionals, industry shakeups, the scores of a lifetime, hospital visits, getting skunked like you couldn’t believe, exhausting patience to take a single photo, chasing moments for so long and still feeling empty-handed, speaking three words in 20 languages to navigate and unlock the sea of faces and places that I deal with regularly. 

Jaded, maybe. But one beautiful thing that I cling to is my childhood wonderment around this sport. So wild, pure, elegant — both a dance and an artform that I am honored to orbit, even in a voyeuristic sense.

Norway is absolutely wild. We ripped through so many fjords, scouring for surf, snow, car chargers and saunas. Some days, we would just point at a peak and hike on our splitboards, riding back down to the water’s edge. 

In my tiredness, I have grown not so much cynical, just more calculating. How do I use my time more wisely, run a successful business, keep my passion alive?

It was in the summer of 2022 when i entered a glamorous French hotel to shoot a no-surfing-involved surf piece for a brand from a landlocked country, where I met a surfer who told me he was from Sweden. This was not just randomly his birthplace but his actual identity, and I was confused. My cynicism flared, but curiosity grabbed hold and I sat down at the table and let him talk. 

As our adventures and friendship evolved, I would always return the invite to Freddie, goading him to leave his frozen world. Flying to South Africa to for a photoshoot after the CT event, I told Freddie the forecast was not to be slept on. He took my word for it, showed up, and proceeded to enjoy pumping, empty J-bay with no one but Slater out for company. 

Freddie Meadows met my curiosity with coy yet precise responses. He’s a tall, handsome man with a deep voice and a balanced soul, but I could tell that he’s faced endless doubt — most likely in the vein of the Olympic passport-swappers and social media posturers that dot our landscape. 

He spoke of his land and sea and his experiences and the elements. Fantastical moments across frozen Scandinavia, places I could never imagine surfing. His story continued with his time away from home, chasing the qualifying series and better waves, but ultimately being called back to Sweden, despite such fleeting moments of surf. We became fast friends from that moment on, as his life both irked and fascinated me. 

The king of warmth — both his hospitality, and his wardrobe. If he tells you to pack something or dress a certain way, you listen. 

I called Freddie several weeks later and asked if I could get skunked in the Baltic with him. I  wanted to see a surfer agonize over weather and swells, then trudge through snow, all for a one hour swell window. Fascinating! Freddie accepted, and later that year when the darkness of winter set in, I landed in Stockholm not knowing what to expect. Freddie was beaming. We had a “good” chance of seeing surf.

Several years later, that first trip and many others dot this film. Sessions where Freddie scored. Sessions where sleet froze over my camera. Sessions where he paddled out despite the fact that the ocean went flat  by the time it took to put on his wetsuit.

Heading onward from South Africa, we ventured to Namibia to surf another swell. What a dream run that was — I think we were both left speechless. When editing this film, it was a bit peculiar staring at all this Scandinavia footage and figuring out how to weave in places so outside of the Scandinavian orbit, but I felt like the contrast to his victories at home versus abroad would help frame his persona and mission.

Each and every trip was its own form of disaster. Yet we worked as a team, one supporting another, in the middle of freezing goddamn nowhere. The highs and lows were so vast, our time together so aimless, all you could do was laugh at our persistence. And for what? We didn’t even have a specific goal in mind. 

That was until a massive swell emerged in the Arctic. We pounced, and scored. Beyond belief. I would call it the highlight of my career, and without speaking for Freddie, I’m certain the same is true for him. 

This day was the crown jewel of Freddie’s life, riding massive waves in the Arctic with not a soul around but his close friends and local fishermen. The waves were radical, violent, some barreling, some exploding. There was snow on the ground and fjords towered in the distance. the whole day was chaotic and breathtaking as we figured it out, but in the afternoon we had a window of sheet glass and big blue barrels. This wasn’t the biggest wave, but it was maybe the most beautiful. I still dream of it, and admire it for showing me how much more lurks out there, waiting to be discovered. 

And like that our film was both born, and done. 

I’ve made a lot of short films. This is the only one I’d call perfect. Not in technique, not in creativity, not in editing or storytelling — but in its subject, and my pursuit. A Swedish surfer who’d take the sub-1% chance of a frozen score at home over a tropical guarantee. A man I not only gained as one of my closest friends, but watched make the discovery of a lifetime. 

And surf it perfectly.

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