Downstream, with Nikki Van Dijk
From issue 79 | Full gallery coming soon to Stab The water trickling past Nikki Van Dijk’s body runs slow, therapeutic as it hums towards Waimea Bay. Nikki’s lying in a rock pool, 200m downstream from where the falls first spill from the cliff tops and onto the heads of Chinese tourists, marine-ready in lifejackets. There’s little light, blocked by a weather front, which teases to leave. What’s left cuts through a dense canopy and branches twist overhead as we make for our shoot. The theme: Blue Lagoon, the 1980’s romantic film by Randal Kleiser. Young Brooke Shields, sans the gent. Nikki lies between boulders smoothed by centuries of sculpting. Her movements are light and the gentle water movement tugs her hair slightly, like smoke from incense. Her dress, loose and of fine fabric, wets fast and hugs her stomach. This is Downstream. Video by Toby Cregan
From issue 79 | Full gallery coming soon to Stab
The water trickling past Nikki Van Dijk’s body runs slow, therapeutic as it hums towards Waimea Bay. Nikki’s lying in a rock pool, 200m downstream from where the falls first spill from the cliff tops and onto the heads of Chinese tourists, marine-ready in lifejackets. There’s little light, blocked by a weather front, which teases to leave. What’s left cuts through a dense canopy and branches twist overhead as we make for our shoot. The theme: Blue Lagoon, the 1980’s romantic film by Randal Kleiser. Young Brooke Shields, sans the gent.
Nikki lies between boulders smoothed by centuries of sculpting. Her movements are light and the gentle water movement tugs her hair slightly, like smoke from incense. Her dress, loose and of fine fabric, wets fast and hugs her stomach. This is Downstream.
Video by Toby Cregan
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