Clay Marzo, in Free Space
If you wanna experience nearly four minutes of very sublime sound and vision, then dig on Clay Marzo in West Oz, cut to Phoenix’s Fences. The beautiful cinematography and steady editing hand of Tom Jennings is excellent, as is Clay’s tube game. Certainly isn’t hard to see why the Hawaiian loves the desert so much.
If you wanna experience nearly four minutes of very sublime sound and vision, then dig on Clay Marzo in West Oz, cut to Phoenix’s Fences. The beautiful cinematography and steady editing hand of Tom Jennings is excellent, as is Clay’s tube game. Certainly isn’t hard to see why the Hawaiian loves the desert so much.
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